Broadway will ask for vaccines and masks to the attending public

Broadway will ask for vaccines and masks to the attending public


In preparations for the reopening of the theaters in Broadway, the rooms announce new measures to protect the public from the coronavirus pandemic. For that, they will require attendees to be vaccinated against Covid and to wear chinstraps during the functions.

This was announced by the producers of the most important theater circuit in the world, with millions of spectators per year who come from different parts of the planet to enjoy the shows.

Members of the audience must wear face masks and present proof that they are fully vaccinated, that is, certificates for vaccines authorized by the Food and Drug Administration (FDA) or the WHO, when they enter theaters, the Broadway League said in a press release.


There are already the posters. Spectators are missing, arriving between September and October. Photo EFE

These new measures, however, will have some exceptions, and it is in regard to children under 12 years of age, for whom there are still no approved vaccines. Also exempted from those new rules will be people with medical conditions or religious beliefs that prevent their vaccination, theater operators said. But in those cases, those attendees will have to show negative Covid-19 testing evidence.

On the other hand, the use of protective masks or chinstraps, by the public, will be mandatory in theatrical spaces, except in those places specifically designated, such as those destined to eat or drink before or after the performances.


The Genie from "Aladdin" may be magical, but he could not prevent theaters from closing since March 2020. AFP Photo

The Genie from “Aladdin” may be magical, but he could not prevent theaters from closing since March 2020. AFP Photo

“Since vaccination has proven to be the most effective way to stay healthy and reduce transmission, I am pleased that theater owners have decided to implement these collective safety measures in all of our Broadway homes,” said the president of the Broadway League, Charlotte St. Martin.

Actors and technicians, all vaccinated

The move comes, on the other hand, a day after the Actors’ Equity Association, the union that represents almost 52,000 actors and theater directors, also announced that it will require that members of the cast and technical team of the rooms are fully vaccinated against Covid.

Unvaccinated company members, including those under the age of 12, should continue to wear chinstraps, practice social distancing when possible, and be tested at least twice a week for the disease. These protocols apply to both Broadway productions and shows endorsed by the same union throughout the rest of the United States.

Bruce Springsteen's one-man show is the only one currently running on Broadway. Reuters photo

Bruce Springsteen’s one-man show is the only one currently running on Broadway. Reuters photo

This new protocol is ahead of the imminent opening, in the coming weeks, of many in New York City. The one-man show of Bruce Springsteen it is the only one currently on Broadway.

While, Pass Overby Antoinette Chinonye Nwandu opens Wednesday at the August Wilson Theater. Most of the other theaters will open in September or October after having been closed by the pandemic since March 2020.

For now, these measures will apply to shows that hit the billboards through October 31, representatives of the Broadway League said. For performances from November onwards, theater operators will review the policy and decide whether or not to make changes, based on sanitary conditions later on.

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Colombia demands humanitarian treatment for its citizens detained in Haiti

Colombia demands humanitarian treatment for its citizens detained in Haiti


The meeting sought to verify the health status of the arrested Colombian citizens, most of them former members of the Army, and to offer them the possibility of communicating with their families through a letter.

“Together with the attorney for the Public Defender’s Office, they were asked about some key elements of the process that is currently being carried out against them,” explained Fajardo, head of the humanitarian commission that the government of Iván Duque sent to Port-au-Prince, the Haitian capital.

Fajardo must now make a report that will be sent to the Colombian authorities, and to the OAS itself.


According to the site of the Bogotá newspaper El Espectador, the meeting was possible after the intervention of the Secretary General of the OAS, Luis Almagro, in the face of complaints from Colombia about the impossibility of accessing its citizens.

The event generated a crossroads of responsibilities: the Haitian authorities alleged that the appropriate procedures had not been carried out for the permit granted in these cases by the Ministry of Justice, and Colombia said that it had been requested through the Foreign Ministry and the embassy in Bogota from the Caribbean country “by note verbale on July 16, without a response” yet.

In parallel, a diplomatic letter known today shows Bogotá’s demand for Haiti to comply with “the moral and legal obligation to protect the detainees who are under its jurisdiction,” according to the terms in which Vice Chancellor Marta Lucía Ramírez wrote to him. to the Haitian ambassador in Bogotá, Jean Mary Exil.


A consular mission that was in Port-au-Prince in recent days “revealed irregularities” in the process and, according to the Foreign Ministry, some detainees suffered injuries without receiving adequate care.

“We demand that the perpetrators of these behaviors that are harmful to their rights be investigated and punished,” Ramírez said in his letter, reported by the AFP agency.

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Why did the San Pablo Cinematheque catch fire? Political fight after another blow to the culture of Brazil

Why did the San Pablo Cinematheque catch fire? Political fight after another blow to the culture of Brazil


Culture of Brazil He suffered a severe setback again after the flames burned a part of the Cinemateca de San Pablo, which brings together the largest film archive in South America.

The fire spread Thursday night through one of the institution’s warehouses, which houses a part of Brazil’s cinematographic history, and once again revealed the neglect suffered by culture in recent years.


The world of cinema regretted the losses caused by the fire, which originated during an air conditioning maintenance, and attributed the accident to the “omission” by the government of President Jair Bolsonaro, responsible for the management of the institution.

“It was already known that this could occur due to the omission of the federal government in the management of the Cinemateca. This is a crime,” the Brazilian actress and director Bárbara Paz said on her social networks.

In addition to dozens of actors and directors, the governor of San Pablo, Joao Doria, one of Bolsonaro’s main political rivals in the conservative field, also raised his voice and affirmed that the event is the result of “contempt for art and the memory of Brazil”.


“The gradual death of the national culture,” stressed the governor.

A long list of fires

And it is that the fire of the cinematheque adds to a long list of institutions and cultural entities that have been the target of the flames in Brazil, where budget cuts in the Culture area have intensified in recent years.

In 2018, a fire of great proportions devoured the National Museum of Rio de Janeiro, the oldest in the country and which housed some 20 million pieces dating from different periods, including historical documents, dozens of dinosaur bones, mummies, and stuffed animals. and the skeletal remains of Luzia, the oldest woman in South America.

In 2015, the flames consumed the Museum of the Portuguese Language, located in the “Estação da Luz” of São Paulo and that paradoxically this Saturday will reopen its doors again after almost six years of reconstruction work.

The cinematheque fire itself appeared to be a “déjà vu”. The fire already burned in 2016 about 300 films in the central building of the institution, corroded by the greatest crisis in its history and a continuous cut in resources.

“An announced crime”

The Prosecutor’s Office recently alerted the government about the possible risks faced by the cinematheque, responsible for keeping the audiovisual memory of the country, and it opened last year a process of “abandonment” against the Executive after he did not renew the contract with the organization that managed the institution.

Center officials published a manifesto this Friday in which they considered that the fire registered on Thursday is an “announced crime” and represents the “loss” of a part “of Brazilian history.”

“Our history has been continually being extirpated, as a project. Unfortunately, we lost one more part of the Brazilian historical-cultural heritage,” the document highlights.

The special secretary of Culture of Brazil, Mario Frías, for his part, attributed the deterioration of the cinematheque to previous efforts, which, in his opinion, used “public money from culture to buy political support from the artistic elite.”

“We are trying, with a lot of dedication and effort, to structure these teams, but what was destroyed in decades is not built in a year,” Frías said on his social networks this Friday.

Tension with the government of Jair Bolsonaro

The relationship between the cultural sector and the government has been tense since the beginning of the administration of the leader of the Brazilian extreme right, a fierce critic of the so-called “cultural Marxism” and that downgraded the Ministry of Culture to the status of Secretariat, dependent on the Tourism portfolio.

Bolsonaro even appointed Regina Duarte, known for her roles in famous soap operas, as Secretary of Culture to “pacify” the relationship with the sector, but the actress left office months later amid various controversies.

The president came to propose the direction of the cinematheque as a consolation, but the one considered for many years as “the bride of Brazil” never came to assume.

Source: EFE

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Violinist Ara Malikian denounced being discriminated against from the Latin Grammys

Violinist Ara Malikian denounced being discriminated against from the Latin Grammys


The charismatic Lebanese violinist of Armenian descent, Ara Malikian, considered that he was disqualified from the selection of albums that aspire to the Latin Grammy Awards where he was not nominated for the album 15 -with whom he celebrated a decade and a half of career- for “not be latin enough“.

“In Lebanon I was not considered sufficiently Lebanese because I was of Armenian origin, the Armenians did not consider me sufficiently Armenian because I was born in Lebanon. When I settled in Europe, they did not consider me European because I was not born in Europe. It took me years to be at peace with myself for who I am and accept being the eternal foreigner, “wrote the musician on his Twitter account.

In his social media publication, the artist who performed three times on Argentine stages, added in his discharge: “I have lived in Spain for 20 years and I have Spanish nationality And I just got disqualified from the Latin Grammys for not being Latin enough. I was already nominated for one of these Grammys four years ago and played the opening gala three years ago. Does anyone understand something …?


Malikian, one of the times he came to Argentina to play. I would go back to Luna Park in November. Photo Clarín Archive

Malikian fled Beirut at age 14 escaping the civil war, and since then he lived in different countries such as Germany and the United Kingdom, currently residing in Spain and having been named adoptive son of the city of Zaragoza, where his wife is from.

The violinist’s music assumes that diverse palette capable of embracing different times and styles and therefore his repertoire is from Bach, Mozart, Vivaldi and Paganini a Led Zeppelin, Metallica and Radiohead passing through Manuel de Falla and Paco de Lucía, among others.


The violinist performed at the Madrid-Barajas Airport to present "Petit Garage", his new album, on January 1, 2021. Photo EFE

The violinist performed at the Madrid-Barajas Airport to present “Petit Garage”, his new album, on January 1, 2021. Photo EFE

A cinematographic portrait of him made by Nata Moreno in Ara Malikian, a life between the ropes It deserved the Goya for the best Documentary awarded by the Spanish Film Academy in 2020.

The case of The Weeknd

Last year, the controversial Grammys left out of the competition The Weeknd, despite the fact that his last job, After Hours, was considered one of the best albums of the year according to the American Music Awards o los Billboard Music Awards, entre otros.

What happened? According to the artist’s testimony, the Grammy jury does not have “transparency,” he said after not having received no nomination despite being one of the favorites.

"The Grammys are not transparent," accused the musician The Weeknd. AP Photo

“The Grammys are not transparent,” accused the musician The Weeknd. AP Photo

“The Grammys are still corrupt”, accused from their networks. “They owe the transparency to me, my fans and the industry …”, he fired on Twitter.

It was extremely striking because the singer was able to put his songs at the top of the charts, reaching, in some cases, more than 300 million views. However, the Grammys did not consider it to have been their year. The reasons, unknown to date, at the time made noise inside the popular music awards ceremony.

“We understand that The Weeknd is disappointed not to be nominated. I was also surprised and I can understand what you are feeling. His music this year has been excellent, and his contributions to the music community and the world in general are worthy of admiration, “he even said. Harvey Mason Jr., in front of the Grammys.

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Uruguay retakes full presence in education without compulsory distancing

Uruguay retakes full presence in education without compulsory distancing


The new protocol eliminates the determination to maintain the distance of one and a half meters, but establishes that students keep as much distance as possible.

Silva stressed at a press conference that it is important for families, teachers and officials to remember that this situation is the product of “an effort by all and among all.”

The new measure aimed at maintaining presence in education is complemented by the use of face masks, hand hygiene and as much ventilation as possible in the classrooms.


This decision is part of a process of returning to the presence, from this Monday until the end of the year, Silva said, quoted by the local newspaper La República.

Silva emphasized that it is a measure “that will be developed jointly, among all those who participate in education,” and also highlighted the permanent dialogue with the Ministry of Public Health.

Along these lines, he considered that this made it possible to take appropriate decisions during the course of the pandemic.


The coronavirus in the eastern country was the main cause of deaths so far this year despite having 70% of its population vaccinated with at least one dose.

Uruguay, which suffered an unexpected outbreak shortly before, adds 381,000 infections and 5,953 deaths since the start of the pandemic, according to the latest official data.

This week it barely exceeded 200 cases one day and never reached 10 daily deaths.

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